In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

An Español gets transported to King Arthur's court.

Having just split up with their respective partners, Maria and Daniel meet in a shop where they argue over a bed. From then on, they keep running into each other in all sorts of strange places and in all sorts of circumstances. They are mutually attracted and begin to intrepret the coincidences of their meeting as sign of fate, but they are hesitant to take the plunge. This little game of love and fate becomes even more complicated when Pierre, a French teacher, and Alicia, Maria's friend, become involved..Who will seduce whom?...Who will be seduced by whom?...After a series of misunderstandings, love settles the question.

Adult movie directed by Jesús Franco.

A stranger from Boston offers a notorious Arizona outlaw a job he can’t refuse.

Instructions is an open series of self-portraits that I progressively create with the premise of finding a mirror or reflective surface in a public space, and filming there.

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Estamos en la posguerra española, años 60 en Zaragoza, en un gimnasio de barrio donde se entrenan varios boxeadores. El promotor aparece y juzga inmediatamente a sus boxeadores: "Éste está acabado, éste aún puede hacer algo".

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